Ways to See: Too Close

Page by page, we were increasingly touched by Letícia Lampert’s work.

“Known By Sight” is a study of an increasingly super ordinary situation in densely populated cities, where residential blocks are built so close together that the view from the windows are vignettes of their neighbour’s lives. It’s fascinating to get a sense of how in such crowded conditions “Neighbors who don’t formally know each other… can make long descriptions about each other’s daily habits”.

The work was created with the stories and generosity the people living in more than apartments within the narrow streets of Porte Alegre in Brazil. Their stories and Leticia’s photography and sensitivity offers a revealing study of these unique relationships established in the city.

Website

Neighbors who don’t formally know each other… can make long descriptions about each other’s daily habits”.

It’s interesting to note how the different residents proclaim their privacy non-verbally. Some have net curtains on every window, others have them only on a specific windows. Whilst others seem completely unworried and accepting about being seen going about their daily lives. As more and more people move into our cities and space becomes ever more of an issue, situations like this will be increasingly Super Ordinary.


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There are a lot of elements in “Known By Sight” that strike a chord with us. Our previous home, in London was in an apartment block with large windows that faced into an internal courtyard. Although we couldn’t see right into our neighbour’s homes, we could see enough to sometimes get a little sense of their lifestyle. For example, we could tell when occupants were students, we could make a good guess what music our neighbours liked. That people opposite loved palms and pink lighting, the people with the red light in their bedroom probably worked with plants - they had sooooo many. There were a few cat ladies, for sure. The people adjacent and a few floors up definitely had kids. Little things like that build a sense of familiarity even though, I have to admit, I couldn’t tell you what most of these people look like let alone their names!


Same but different………

Focussing on the aspect of being able to look into someone’s home, we cannot help but think of the residents of Neo Bankside in London and their battle with the Tate Modern. There, the residents were less able to accept the peering glances of visitors to the Tate Modern as part of life and more as an invasion of their personal space and privacy and they (unsuccessfully) sought court action against the gallery [SOURCE]. Perhaps they would have been more tolerant of the so-called intrusion had the Tate not been such a huge public attraction and just another block of flats occupied by similarly financially wealthy people?

Zoom across to Tokyo…..

Hiro currently works in a tall building in Shibuya and his office window looks right into someone’s apartment. Whilst these residents have put up a net curtain to protect their privacy, what is more interesting is how Hiro’s office impose a visual curfew by automatically bringing down the blinds in the office at around 4pm in consideration of the residents in the opposite buildings. Unfortunately for Hiro, who is far more interested in the sunlight than what his neighbours are doing, this means that he can’t see the sunset over Tokyo from his elevated position. Ah well!

Carine Thévenau

Our penchant for playgrounds is well played out on our Instagram page, we’ve also mentioned it along with a bunch of pics previously HERE. But it’s only recently that we thought to seek out other’s with a similar obsession. And that is how we came across Carine Thévenau’s beguiling work. Entitled SEASONAL ABANDONMENT OF IMAGINARY WORLDS, Carine documents aging Japanese playgrounds in rural Japan through a series of beautiful and evocative photos.

a glimpse of spacetime paused…

“Thévenau describes the neglected play spaces as a crease in an origami-like structure of spacetime, actively folding into new time frames and thus new landscapes.”

“The playscapes are either abandoned or empty due to seasonal snowfall, but the absence of life creates a space, ripe for the imagination. Although the playgrounds may arouse a nostalgic sensation, a more critical analysis reveals a portrait of place and offers us a glimpse of spacetime paused, yet actively in motion.”

Book details: ISBN 978-0-646-98252-6

INSTAGRAM ACCOUNT: carinethevenau

Tekla Evelina Severin

One glance at Tekla's Instagram account and we were smitten by her ability to extract perfect colourful compositions from both the ordinary and the less obvious places that she visits. 

Tekla Evelina Severin is a multi-talented interior architect who also flexes her creativity (with incredible effect), in art direction, set design and photography.  Tekla is based in Stockholm.

Website: http://www.teklaevelinaseverin.com

Instagram: https://www.instagram.com/teklan/?hl=en

 

Michael Johansson

"I'm inspired by everyday scenarios, things you pass by and normally don't pay attention to, but that for some reason stands out this particular time. It can be a parking lot filled with cars in the same colour, or that the pants you are wearing have the exact same shade as the chair you just sat down in. Or basically anything you encounter in your daily life but never really paid attention to before." Michael Johansson in an interview with Dazed Magazine

Utilising a plethora of mundane familiar items including discarded furniture and household goods, Swedish Artist Michael Johansson reimagines the possibilities of the ordinary into extraordinary sculptures that evoke "Tetris" feelings in most of us.

I enjoy identifying the various objects he's incorporated into each of his works and also find it so satisfying how all the elements fit together so neatly. I wonder if all the storage spaces in his home are stacked in this way?

All the above photos are taken from Michael Johansson's website. Do visit it for more information and pictures of his work.